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Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community.
Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants.
Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here.
- Sales Rank: #6260841 in Books
- Brand: Brand: Routledge
- Published on: 1995-06-09
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .50" w x 6.14" l, .97 pounds
- Binding: Hardcover
- 192 pages
- Used Book in Good Condition
Review
"Duncan balances her reading of the museum as economically motivated and culturally specific sign with a theoretically promising investigation of ritual and liminality in the gallery context."
-"Parachute
""Civilizing Rituals is a significant addition to art museum bibliography."
-"Academics on Display
From the Back Cover
In a groundbreaking study, Carol Duncan explores the function of art museums as ritual settings and as cultural artifacts that are much more than neutral shelters for art. She illuminates the ways in which museums in France, Britain and the U.S. engage their visitors in the performance of ritual scenarios and, through them, communicate and affirm ideas, values and social identities.
About the Author
Carol Duncan teaches art history at Ramapo College of New Jersey. She is well known as one of the pioneers of a new social-political approach to art history and criticism and has been one of the strongest feminist voices in the ``new art history''. Her essays have been collected in The Aesthetics of Power (1993).
Most helpful customer reviews
15 of 16 people found the following review helpful.
Informative and Easy to Read
By Robin N. Keller
Dr. Duncan's books discusses the history of art museums and focusses in on some notable, present day museums. Her approach combines the traditional art historian view with a sociological view. Art is not created in a vacuum and reflects the society it lives within. Duncan's approach gives us insight into why some artwork is accepted while other artwork is not.
This book was required reading in my undergraduate studies. It is one of the few I choose to have in my personal library as well.
Carol Duncan's book is small in size and easy to read. However, just because of its ease and size, don't mistake its value to art history. It is well researched and well edited. It is short, sweet and to the point. Too bad other art history books cannot be like that.
0 of 0 people found the following review helpful.
Definitely an interesting look into the origins and creation of ...
By victoriao1205
Definitely an interesting look into the origins and creation of public art museums and the history up until recently. I purhcased this for a college course but it was definitely an interesting read if you are interested in public institutions especially art museums
3 of 5 people found the following review helpful.
Informative, Easy To Read
By A Customer
Dr. Duncan's book was required reading in my undergraduate studies. She writes from two angles - first, being the traditional fine arts view, and second, a sociological view. Art is not created in a vacuum and is directly affected by the society it lives in. There is a value to looking at art from this combined point of view. You have a clear picture why some art is considered valuable, while some is not.
Carol Duncan's book delves into the reasons why we have art museums and then focusses in on some notable museums of today. The small book is an easy and quick read. However, its relative ease and small size does not mean it does not inform. It is well researched and well edited. It is short, sweet and to the point. Too bad more art history books are not like that.
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