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American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories, by Neil Philip
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A showcase of familiar favorites and lesser-known gems from America's literary treasures. Capturing the zest and homespun charm of America's early years, the stories featured in this collection reflect the independent spirit that is distinctly good ol' USA.
- Sales Rank: #811846 in Books
- Published on: 1996-10-01
- Released on: 1996-10-02
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .0" w x 7.50" l,
- Binding: Hardcover
- 160 pages
From Publishers Weekly
once upon a time in america While fairy tales are usually associated with European sources like the Brothers Grimm, American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories, edited by Neil Philip, preface by Alison Lurie, illus. by Michael McCurdy, defines a unique heritage on this side of the Atlantic. The selections include both familiar and little-known tales by Nathaniel Hawthorne, Louisa May Alcott, L. Frank Baum and, as the title suggests, Washington Irving and Carl Sandburg. McCurdy's dramatic black-and-white woodcut prints add an eerie edge to the distinctive stories, which are a cut above the more usual, normalizing fairy tale retellings. Headnotes for each story provide brief biographies of the authors.
Copyright 1996 Reed Business Information, Inc.
From School Library Journal
Grade 4-8-An impressive collection of 12 stories representing the development of the American fairy tale from 1819 to 1922. Leaving behind the gloomy atmosphere and more formal language of their European counterparts, these literary selections reflect the landscape, egalitarian philosophy, and forward-looking optimism of America. Washington Irving's "Rip Van Winkle" is firmly placed in the Kaatskill Mountains, while Nathaniel Hawthorne's "Feathertop" is filled with New England superstitions. The contentment of ordinary life is emphasized in Horace E. Scudder's "The Rich Man's Place" and Laura E. Richards's "The Golden Windows." The heroine of Louisa May Alcott's "Rosy's Journey" is solidly self-reliant, and the protagonists in Howard Pyle's "The Apple of Contentment" and Ruth Plumly Thompson's "The Princess Who Could Not Dance" are cheerful and independent. L. Frank Baum's "The Glass Dog" and Carl Sandburg's "How They Broke Away to Go to the Rootabaga Country" portray inventiveness and the pioneer spirit. Sandburg's tale, as well as M.S.B.'s "What They Did Not Do on the Birthday of Jacob Abbott B., Familiarly Called Snibbuggledyboozledom," employ a unique American idiom with their zany words and phrases. Independent readers may find the archaic writing of some of these selections difficult to deal with; others are quite readable. Each story is introduced by information about the author; sources are included. McCurdy's skillfully executed black-and-white woodcuts, both full-page scenes and vignettes, illustrate each tale. This volume provides a rich read-aloud for families who like quality literature, and will also be of interest to children's-literature students and folklorists.
Judith L. Miller, formerly at Indianapolis-Marion County Public Library, IN
Copyright 1996 Reed Business Information, Inc.
From Booklist
Gr. 6^-8, younger for reading aloud. A patriotic-looking jacket with blue stars and red stripes adorns this collection of 12 stories drawn from an American literary tradition that includes such characters as bee-men, goose-girls, kings, fairies, and wizards. Editor Philip provides an introductory essay about the "American fairy tale" and briefly introduces each selection. Children might tend to mistake this for a history text and avoid it, but teachers and parents will appreciate the variety of stories and the roundup of famous writers, including Hawthorne, Sandburg, Alcott, and Baum. McCurdy's woodcut illustrations give the stories a sense of the past yet still allow plenty of room for fantasy. The tales will make pleasant read-alouds, but a few contain language or allusions that now seem racist or sexist; for example, Hawthorne's Feathertop wears "the Black Man's wardrobe," which is equated to the devil's clothes. Source notes and related readings are appended. Karen Morgan
Most helpful customer reviews
7 of 8 people found the following review helpful.
A hundred years of American fairy tales.
By K. Roman
Introduction: Alison Lurie, a professor at Cornell University wrote the preface. She sums up a hundred years of American Fairy Tales and introduces the stories in two pages.
Organization: There is a table of contents and the stories appear to be arranged chronologically. The illustrations by Michael McCurdy are simple black and white ink drawing and scratch boards that remind me of illustrations I saw in hundred year old periodicals.
The stories themselves: The stories vary as much as the authors. Some, like Feathertop, are quite literary. Here is an example sentence. "'Poor fellow!' quothe Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance." As written, these stories may be better read than told. The stories are also fairly long so a teller might need to trim them.
Source Notes: Each story starts with a lengthy source note that includes some critique and history. The Afterword by Neil Phillip is long, detailed, and scholarly. Phillip states that he chose to look at literary tales with a named author for this collection. He critiques and puts the stories into their historical framework. He looks at the broad changes seen in the hundred years that he covers.
Final Thoughts: This is a very scholarly look at American fairy tales. Sadly, most Americans are probably not familiar with more than one or two of these stories. This book would make an excellent text book for a high school or college English class and should be required reading.
Karen Woodworth-Roman
2 of 2 people found the following review helpful.
Audio version makes good car listening
By Cincy Yankee
This collection of literary fairy tales by American authors (from the early 1800's to 1922) makes excellent car-ride listening. While adults and kids alike will enjoy the stories, this book offers more than that. An introduction discusses what elements American writers changed or added to the traditionally-European genre of the fairy tale. Each story is also followed by a brief introduction to the story's author that mentions what particularly American elements readers can find in the story. I really enjoyed this book on two levels: the enjoyable "story-time" of listening to the tales, and the analytical thinking-time of the introduction.
The only thing that detracts from the audio version of this book is the horrible synthesized music that plays just for a few seconds at the conclusion of each story to mark the end. Fortunately, the reader is excellent and the music goes away quickly.
5 of 7 people found the following review helpful.
A beautifully illustrated, wonderfully written collection.
By Midwest Book Review
Just having returned from 18 days in the UK two of those spent in jet and bus travel and eight more getting the most out of an eight day Brit Rail pass that we could I must say that even though I have stopped running I feel like I am still running in place. That is how I get some of my best ideas. Those of you who know me know that I sort hang at the margins of the formal academic study of literature. I do this because language and literature study are really sort games which you have to learn the vocabulary (lexicon) if I were presenting at a conference or writing for blue noses.
Well one of the hottest games now in the world of literature is the study of the postcolonial literature of the former European colonies, South Africa, Algeria, Vietnam, or what ever. If you were a young academic then it would be well to focus your study in this area. This is especially true if you want work in something other than the house keeping and food service industries as your ultimate career goal.
That got me thinking as I re-read and loved Rip Van Wrinkle by Washington Irving in this wonderful collection that I was reading perhaps the archetypal work of post colonial literature, old henpecked Rip (a subject of George III), has a few beers with some very serious 120 year old Dutchman as he falls in with them in their the secret Hudson River Valley meeting place.
Twenty years later he wakes up to find he is an American Citizen. I don't but know for sure but, I bet a lot of post colonials feel like that They share with Rip one very large hangover. Well I could go on and play the game further but I think you have the idea, and as a dear friend of mine once said sometimes Philip a little of something goes a long way. So let me get back to this wonderful book , as I urge you to add it to your collections
American Fairy Tales is a collection has something for everyone .It is a collection of American tales, which really serves three publics. First of course the adolescent reader who may miss or only seen fragments of these wonderful stories. Next the eternal Adolescent likes my self at age 55 who loves a good story. It also serves any serious students of children's literature, this medley of stories progresses chronologically across a century, from Washington Irving's "Rip Van Winkle" to Carl Sandburg's "How They Broke Away to Go to the Rootabaga Country." From the Maleficent Witch, Mother Rigby, in Hawthorne's "Feathertop" to the ethereal fairy in "The Lad and Luck's House," Book List had some good things to say about it "A patriotic-looking jacket with blue stars and red stripes adorns this collection of 12 stories drawn from an emergent American literary tradition that includes such characters as bee-men, goose-girls, kings, fairies, and wizards." Editor Neil Philip provides an introductory essay about the "American fairy" tale" and briefly introduces each selection.
I loved the variety of stories and the collection of famous writers, including Hawthorne, Sandburg, Alcott, and Baum. McCurdy's woodcut illustrations give the stories a sense of the past yet still allow plenty of room for fantasy, woodcuts have a haunting timeless look about them. Theses stories are made to read aloud. But it must remembered that because of the time they were written but a few contain language or allusions that now seem politically incorrect. But we must be careful not to throw out the baby with the bathwater. American Fairy Tales is a beautifully Illustrated book you may have to work a bit to find it.
Philip Kaveny, Reviewer
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