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Painting on Location: Secrets to Plein Air Painting, by David Curtis, Robin Capon
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"The advantage of painting outside is simply that you are there, 'living' the subject." --David Curtis
For celebrated British painter David Curtis, painting on location is the most rewarding and enjoyable way of working. Here, he leads you on a passionate plein air adventure, showing you how to seize the moment, focus on the essential elements of a subject, and capture the mood with speed and economy.
As atmospheric as the subject itself, Painting On Location is replete with anecdotes and gorgeous artwork. It's like sitting next to David as he works the canvas, discussing key lessons on:
- Working in partnership with oils and watercolors, taking advantage of each medium's special characteristics to make the most of your fresh air sessions.
- What to pack: having just the right equipment with you to work efficiently and effectively.
- Coping with the challenges of fleeting light and inclement weather.
- Finding a worthy subject and a personal viewpoint.
- Techniques for translating your subject in a quick and lively way.
- Maintaining a sense of place back in the studio as you finish your plein air pieces or use them as inspiration for new works.
- Sales Rank: #371563 in Books
- Brand: North Light Books
- Published on: 2013-06-06
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 8.75" w x .50" l, 1.75 pounds
- Binding: Hardcover
- 128 pages
About the Author
David Curtis is one of the UK's best-known painters. He is the author of the bestselling Light and Mood in Watercolours and Capturing the Moment in Oils.
Robin Capon is an experienced author and art journalist, having written several books. He is a regular contributor to The Artist and Leisure Painter. He lives in Lyme Regis, Dorset.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Plein Air Painting
By JT
There is no question that Curtis's technical ability is excellent. Many, many photos prove this. I was, however, disappointed in the gray, dullness of many of the paintings. I think this is due to the fact that he starts many of them with grayed paper and washes. I usually take 5 or 6 pages of notes to remember salient points. With this book I took 1/2 page as he kept repeating the same things over and over in a different way. Proving his point with examples of paintings. It is an excellent book for watercolorists as he demos some step-by-step paintings. And as I said his technical skill is par none.
8 of 8 people found the following review helpful.
Too much repetition, not enough information on palette and technique
By Robert A. Hicks
I chose this book because I love his use of palette and brush work, also the English landscape subject matter. I was very disappointed after reading the book how little David divulges of his actual palette and start to finish technique. He repeats the same mantra over and over with very little new insight after the first couple of chapters. It is a beautiful book but not what I expected, I purchased his book "Painting with Impact" at the same time and felt the same about it.
7 of 7 people found the following review helpful.
Disappointing
By Reviewer
The positive: There are a lot of nice color reproductions of paintings, and a few insights into the workings of a seasoned pro.
The negative: There's a lot of repetition and self-aggrandizement, and very little practical advice.
In the end, it doesn't sum up to much of real use to a painter looking to improve his or her plein air technique. I hate to say it, but it comes out feeling like the main thrust of his advice is, "If you want to succeed at plein air painting, you have to be a good plein air painter, like me."
He tells you that you should get out there and paint outdoors, and that in order to succeed at doing so, you must be quick and confident, and know what you are doing, which comes from lots of experience. He tells you that the main focus of plein air landscape painting is to capture the mood or the feeling of a place, and so you should do that. He gives very few practical clues as to how to go about it, other than to just get out there and do it.
You should look for a good composition, consider the scale and format of what you are going to paint, the tonal and color keys, etc. Don't rush into the painting. But then don't NOT rush into the painting, because time is not on your side. You need to get right in there and make the main statement as quickly as you can. It takes lots of confidence and skill.
That pretty much sums up what advice he does give. Even the step-by-step breakdowns reveal little of his working process, other than the basic order in which he did each painting. The text ends up amounting to essentially, "I get in there and start slapping washes on the paper, dipping my brush into a lot of pre-mixed things, until I have blocked everything in. Then I go back and resolve details."
I gather that the author is a good landscape painter with a lot of experience, that he has reached a point where he works in a very fast, intuitive, and holistic way, and that, upon being asked to explain how he paints, he is at a loss to say much about it. I think that's all perfectly fair, but then why write "how-to" books on the subject?
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